Shine your dim light
And reveal the path
I must tread
I cannot say
I cannot say I have had a dull life
Turbulent emotionally – certainly
I initiated and orchestrated
Invited chaos
Dined with excess and substance
Danced on the edge of annihilation and deletion
Holding my breath
As I brushed too close
Strangely held
I have known
And many times – missed the cues
But it gets clearer
As I get closer
Remembering
My earliest memories are of my grandmother
And of a rhyme she taught me
Back then the world was safe
Children weren’t escorted and ferried everywhere
I often took Teddy for walks out the back gate and down the service lane.
My grandmother’s fear was that I might wander too far and not find my way home
So she taught me to say
when someone asked my name
I am Ruthie Crewe and I live in house one fifty two
An illegitimate child was a scandal and I had to be protected from that awful shame for as long as possible
Clueless and careless I grew up carefree and happy
An only child
I thought I was Ruthie Crewe
But that name belonged to my grandmother’s second husband and the father I knew
At six and in sub A
My name was Ruth Sylvia Harris
It was my birth mother’s maiden name
I did not question or notice the change
At eleven it was deemed
I should know the truth
My grandmother was not my mother
Instead Natalie was
My sister was my mother
Unbelievable
Who on earth am I
Into puberty and confusion I launched
Angry with the dearest person for the lie I was told
My grandmother, the mother I thought was mine was now no longer my mother
My sister, my mother instead
Thinking I might now have to stay with Natalie
I reacted badly
I gained control of myself when I realised I would be staying with the mother I knew and
Natalie would remain Natalie
My questionable identity hangs out still in the folds of memory
I cannot blame this event for the rebellion that set in.
Maybe it was just a good excuse for what a teen experiences, but I got a lot of mileage out of it
My mother bore the brunt of my anger of course
She was the liar
I could not see then that societal norm dictated their choices to conceal the facts and that it was done out of love
I perceived betrayal
Anger became my silent companion and fuelled my rebellion
Depression stalked me
And I found myself in hostile territory and war-torn states
Some remain
Tripwires and landmines
Triggers that blow up stuff
But
I am still Ruthie Crewe living in house one fifty two
Gone from this world many years
Her voice remains
She gave me space to be
We lived in Tsumeb until I was 4
My father worked at the Copper mine there
A fitter and Turner and a ladies man
He was tall and handsome and terribly charming.
His eyes twinkled with mischief and I loved him for it
He said things like
Eat your peas or eat your cabbage so you can grow hair on your chest
That sounded like something I might not want but didn’t know why
Or when I picked up on some gossip in the company of adults and asked who they were talking about
He’d reply
The man or woman with the one left leg
It sounded right but something was definitely not
And to my incessant whys?
He’d reply
Because Y is a crooked letter and you can’t make it straight…
That shut me up for a bit
He enjoyed my puzzlement while it lasted
The pulling of my leg was done without malice
I loved him and he loved me
The other children in the family called him
Bampa
Bonny my cousin (my niece I believed) and my parents oldest grandchild couldn’t say Grandpa so he became Bampa
It stuck and He was that until he died
The whole family
As I knew it lived in Tsumeb at that time
My parents myself and my mother’s three children by her first husband
All married with children of their own
I was a very young aunty
We thought it funny but never twigged
Tsumeb was hot
And dusty
At the mine clubhouse there were pools we frequented
A paddling pool for children my age
And another for older children and adults
It had a diving board of great hight
Days at the pool were just never long enough
One day on our way home we visited the graveyard and a grave
The graveyard was on route home and we passed it each time we walked to and from the pool
The name on the grave was mine except for the surname
That was Webster
Ruth Sylvia Webster
My mother’s oldest daughter’s oldest daughter lay there
Fallen down the back stairs of their mine house in Tsumeb
Concussion the reason
I thought of her lying there under that heavy slab on subsequent walks past the graveyard and of the sad look on Yvonne’s face
Christmases were a glorious affair
The tree and all the preparations
The baking of a Christmas cake and a pudding with “Ticky’s” hidden inside
If you were lucky enough to get one in your slice you could make a wish but keep it secret or it would not come true
Mince pies, one of my father’s favourites, were also on the Christmas menu
A new dress sewn by my mother
The presents delivered by father Christmas on that much anticipated Eve
He always managed to arrive while we were on the customary drive through the streets of Tsumeb to look at the Christmas lights
He dropped off the presents with apologies for not waiting
He had so many houses to visit
I saw him a few times at the Clubhouse with two big bags full of presents
One for boys and one for girls
He would ask if we’d been good boys and girls
Of course we had
And we all got a present
Regardless
Even naughty little shits
Secretly I feared he might know I was one of those shits and I would have to forfeit my gift
In front of everyone
It was important to be a good child
Jack Frost a scary looking individual came to fetch naughty children
He lived in one of the books my mother read to me
My mother could be scary
She had a wooden spoon to warm my bottom when I was naughty
Another character to fear was the old man in the sky
When he cracked his whip
I was to run inside as fast as I could or he would strike me down
The women in my family were homemakers
They cooked and baked
Sewed our clothes, knitted cardigans and socks and darned the socks when they got holes
Their hands were never idle
Loving to a fault and loyal
They were
Nurturing
Full of laughter
Argumentative and forgiving
Playful and supportive
Gossip was frowned upon
Ours was a happy family
We laughed until the tears rolled and our bellies ached
We were not perfect by a long chance
But we laughed
And that I remember
Words, my constant companion
I am up
And
I must be about
But my head is filling with words
So rapid the flow
They are gone by the time
I pick up pen
And find the page
I call
Here I am
Come back
We met on the page … you and I
You with your rhythm
Rolling out as you rise
And arrange yourself
Like the paint trails left by my brush
My pen leaves a trail too
Words weighted with meaning
Distilled through the lens I wear
Populating my pages with prattle – mostly
But
Sometimes
A wisdom – an answer
I come to the page
Writing daily
Prattle mostly – as I said
But out it comes
And if nothing more
I’m shovelling and sifting
Through the clutter
In search of something I just know I’ve forgotten
I had a tale by the tail
But lost the thread
Darn it
Where was I
Its busy in here
So many words bobbing about
All trailing tales
How do I choose
Do I choose
Or
Am I chosen
By a word that pops up – freed from its mooring
Sometimes I’m here
Sometimes I’m there
Sometimes in between
I am
Always waiting – listening
The words appear or don’t
I’m happy when they do
Like old friends – we are comfortable in a shared knowing
My stories travel in the vehicle of you
Clothed by you
Sometimes splendidly so
You surprise me
As if you are a thing separate from me
Are you?
IT’S A PROCESS
A start on bigger pieces
60X60cm
Oil












